Review Essays

7th May 2018
Review of Joan O’Hagan’s “Jerome and His Women”
4th January 2018
Review by Richard Blake of Steven Saylor’s “Throne of Caesar” (2018)
5th November 2017
Review of Joan O’Hagan’s “A Roman Death”
1st October 2017
Edward Gibbon: Man of the Enlightenment
23rd September 2017
Review of Anthony Crowley’s “The Light of Keeps Passage”
2nd July 2016
Review of L.J. Trafford’s “Galba’s Men”
1st May 2016
Thoughts on the Schubert Piano Sonata in B flat major, D.960
28th April 2016
Review of Beth Elliott’s “April and May”
4th March 2016
The Sherd of Amenartas: Review of H. Rider Haggard’s “She: A History of Adventure”
28th February 2016
Fiction criminelle au sein de l’Académie: Les possibilités créatives et critiques
26th February 2016
Crime Fiction within the Academy: The Creative and Critical Possibilities
12th February 2016
The Joy of Digital Technology: A Personal History
5th October 2015
Review by Richard Blake of Steven Saylor’s “Wrath of the Furies” (2015)
23rd July 2015
Briefly on Edward Gibbon, by Richard Blake
9th July 2015
Richard Blake Review of Allan Massie’s “Caesar”
4th July 2015
Review of Steven Saylor’s “Roman Blood”
29th June 2015
Review of the Oxford Latin Course
14th June 2015
Film and the Roman Empire: Ten of the Best and Worst
14th June 2015
Five Recommended Roman Historical Novels (2015)
1st April 2015
Review of Walter E. Kaegi, “Heraclius: Emperor of Byzantium”
1st April 2015
Review of Mat Coward, “Acts of Destruction” (2014), by Richard Blake
1st April 2015
Richard Blake Reviews L. Neil Smith’s “Sweeter than Wine”
1st April 2015
Review of Jack England, “Sword of Marathon” by Richard Blake
1st April 2015
Review of “Myth and History” by Richard Blake
1st April 2015
Dandelions and Dog Days: The Memoirs of a Gentle Giant, Reviewed by Richard Blake

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